my motto for this system is simple: see, shoot, serenity.Ĥ5mm F/1.8. The trinity of Micro Four Thirds primes does this for me, and being able to sit back and enjoy my world is far more important than getting hung up on who's system is better than the others. Of course in the end, I still love my 5Dmk2 and it's lens line up and all things said and done, the experience of getting out there and shooting is far more important than the system you use. Frankly if I was to start all over again, I'd pair this with a medium format system like the Pentax 645D and never look back at the 135 format ever again. Even in the classroom, I've been using this system to teach photography from.
#All the four thirds system lens lenses professional
That is certainly the difference of getting the shot or not.ĭespite all the fun I've been having with these three lenses, I am certainly finding more opportunities to use this in a professional and primary setting. The thing that many critics seem to overlook about the whole depth of field equivalency or the whole crop factor thing, is simply from a light transmission point of view, regardless of depth of field equivalency, an F/1.4 is still going to see better in less light than an F/2.8 and is the only real combination that can be used efficiently handheld in low light. Certainly one could argue that you could easily cover this entire range with something like a 24-70 F/2.8 and similar depth of field equivalencies but even that still runs nearly $4,000 again while the Pen and all three lenses are still well under that and far lighter. The Pen's autofocus is fast enough that even in low light and the 25mm F/1.4, that it's really quite easy to capture images on the street.Įven if you're a bokeh snob you'll be hard pressed to get this kind of image quality in a compact system from a zoom lens. Speaking of Leica, the Panasonic produced, Leica Summilux 25mm F/1.4 gives me the same compact image quality of a rangefinder, but also has the advantage of modern auto focus.Įven in night photography, the lack of a focus ring with distance marking with the 25mm F/1.4 is really not a major deal. The 12mm alone has a snap focus ring, so without using any viewfinder or preview, I'm able to zone focus my subjects and expect everything to be in focus, just like using classic rangefinders like the Leica system.
12mm using the 'Snap-Focus' for zone focusĪside from the bonus of adapting other lenses, I found this combination of lenses really covers most of my applications.
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